[syndicated profile] boingboing_feed

Posted by Cory Doctorow

Remember the gigantic data-center that the NSA is building in Utah in order to (illegally) process the electronic communications of the whole world? Turns out that the state of Utah plans on taxing the titanic amounts of electricity it will consume at 6%. The NSA is pissed.

"We are quite concerned [about] this," Harvey Davis, NSA director of installations and logistics, wrote in the April 26 email, obtained through a Utah open records law request.

In a follow-up email Davis sent 31 minutes later, he explained: "The long and short of it is: Long-term stability in the utility rates was a major factor in Utah being selected as our site for our $1.5 billion construction at Camp Williams. HB325 runs counter to what we expected."

HB325, which Herbert signed into law April 1, benefits the Utah Military Installation Development Authority (MIDA). It allows the entity, which was set up to put select military properties on the public tax rolls, to collect a tax of up to 6 percent on Rocky Mountain Power electricity used by the Utah Data Center.

In surprise to NSA, Utah Data Center may pay tax on electricity [Nate Carlisle/The Salt Lake Tribune]

(via /.)

    


Hacker help: Kvissle as diaper caddy?

May. 21st, 2013 03:07 pm
[syndicated profile] ikeahacker_feed

Posted by Jules Yap


Materials: Kvissle cable management box

Description: I want to use the Kvissle cable management box as a diaper caddy and hang it on the wall above the changing table in my baby's room. There are no holes in the back of the box, though there are holes at the bottom. A Huggies wipes container fits almost perfectly, it sticks out a tiny amount at the back. Any ideas as to how to hang it? Thanks!


~ Amanda

Writing meme

May. 21st, 2013 02:06 pm
rhi: Pen, ink, and paper:  Ghost writer (ghost writer)
[personal profile] rhi
Snagged from [personal profile] kayim :

I currently have 206 (!!!!) works posted on AO3. Choose a random number - no peeking! - between 1 and 206 inclusive, and I will tell you three things I currently like about that story.

[syndicated profile] bitch_flicks_feed

Posted by Stephanie Rogers

Movie poster for Stories We Tell
 
Written by Stephanie Rogers.

We live in an age now when things seem … less “real” to me. Facebook lets us put our private lives on display, and even then, it’s a version of our lives that we edit, exaggerate perhaps, and invent—all for public consumption. People become overnight stars when homemade YouTube clips go viral—often another version of an edited public performance. Our television shows, especially Reality TV—and even shows such as American Idol and So You Think You Can Dance—present stories that appear to be true but are, in fact, edited for a public audience.

So, how do we define “real” anymore or, for that matter, what is “true”?

Polley and her father in Stories We Tell
 
Sarah Polley explores this concept in her wonderful documentary, Stories We Tell. While the film focuses on her family background and a long-kept family secret of sorts, it ultimately explores memory—how it aids and fails us, and how the act of storytelling often requires us to fill in the gaps. This isn’t a new concept by any means, but Polley’s decision to tell her story through film, and to put that story on screen for a wider audience—in a society (and film industry!) that consistently devalues women’s work and women’s stories—is a radical act.

Mary Jo Murphy gives some background on the film in her New York Times review:

A bit more about “the story”: Ms. Polley is the youngest of five siblings. Dad was an English actor in Toronto; Mom, an actress, had two children from a marriage before she met him. She died of cancer when Sarah was 11, and at some point after that, one or more of her much older siblings began to tease her about her paternity. Eventually she did a little investigating.
When she found her answer, and talked to her father and siblings about it, she became fascinated with how each of them was “telling the story and embellishing the story and making the story their own.” The act of telling the story, she said, “was changing the story itself.”
Polley's father in Stories We Tell

I love the idea of the past existing as fluid, ever-changing. And Stories We Tell touches on that, reminding us that people truly do live long after their deaths—in the memories and celebrations of those most important to them. I certainly don’t mean to sentimentalize the story because it’s not a sentimental film (which isn’t to say that the audience in the theater wasn’t a weeping mess), but I want to get across that a woman making an emotionally gripping film about herself, about her mother, about motherhood even—that is absolutely a radical act.

Some disagree. Mike LaSalle of the San Francisco Chronicle wrote in his review (titled, “Stories We Tell Review: Not Worth Telling”):

Polley is making a film about her father, her late mother, her siblings. She should protect them. What she shouldn't do is offer up the resulting feel-good whitewash to the scrutiny of a watching world. She shouldn't force on strangers the task of sitting through this. And she shouldn't present a work of vanity and closed-in narcissism as an exercise in soul baring, because it's embarrassing for everybody.
Polley's mother and father in Stories We Tell

In actuality, the most important part of this film—and what makes it feminist—is precisely its “vanity” and “closed-in narcissism.” Of course, I wouldn’t use those words to describe it—I’d say “intimacy” and “closed-in confidence”—because they play into the dominant ideology that women’s stories aren’t important. And Stories We Tell is exactly that—Sarah Polley’s story: embellished, re-enacted, unsure, important. She interviews her father(s), her siblings, her mother’s former lovers, and her mother’s friends, all the while keeping herself outside the frame and directing her subjects, or “storytellers” as she calls them, to tell their individual version of events. How Polley chooses to direct the film, to edit it, to interrogate the assertions of her storytellers, and to learn from them—that is her story.

And telling it is a radical act.


Leigh Kolb wrote a piece for Bitch Flicks last November called, “Female Literacy as a Historical Framework for Hollywood Misogyny” in which she suggested that, “When women finally break through and are able to tell their stories, those stories are immediately dismissed as silly and trivial.” She goes on to say:

Perhaps this bleak, largely anti-feminist landscape in Hollywood is more deliberate. If we acknowledge women's long history of being neglected education and literacy, and that women have been repeatedly told (or observed) that their stories lack action and intrigue for a broad audience, how can this not have larger social effects? And at some point, do we come to the conclusion that these messages are what the dominant group wants?
Polley's mother in Stories We Tell

The good news is that reviews like the one written by Mick LaSalle, who refers to Stories We Tell at one point as “the opposite of a courageous piece of work,” look ridiculous next to all the praise for the film. In fact, if we're lucky, maybe the success of Polley's piece will spark a larger conversation about the marginalization of women and minorities in our culture, about whose stories “deserve” to be told and who gets to tell them.

This film—if “the personal is political” still means anything in the age of my multiple fake Facebook identities—needs to be seen. It deserves to be seen. It’s a film about women knowing and not knowing one another. It’s a film about forgiveness and disappointment and searching for one’s identity and place within the family. It's about existing as both participant and observer in your own life. It’s about longing and loss and how we define families. It's about the art of filmmaking itself. It’s about mistakes and motherhood and heredity and unconditional love. 

And, perhaps most importantly, it’s about a woman in Hollywoodan industry that boasts less than 20% of women film directors and ever-shrinking numbers of available roles for women—refusing to accept the devaluation of women's work, getting behind a camera … and daring to tell a story

Sarah Polley, badass


 


 
[syndicated profile] badastronomy_feed

Posted by Phil Plait

This weekend I’ll be in Tucson, Ariz., for Spacefest V, a fantastic convention featuring scientists, astronauts, and space artists. This will be the fourth time I’ll have attended, and it’s been great every time. If you’re a space enthusiast and in the area, you really should come.

Speakers include Carolyn Porco, Brian Cox, Emily Lakdawalla, Meteorite Man Geoff Notkin, and a whole lot more. Even me! A lot of Apollo astronauts will be there, as well as other space travelers and scientists.

Sorry about the short notice here, but if you can, please come. I always wind up leaving more energized and excited about space than when I arrived. What more can a science evangelizer ask for?

Jasmine's obit for Mr. Bean

May. 21st, 2013 02:52 pm
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll

Long time Cardamom Addict readers know this handsome boy to the left--this is, of course, Mr. Bean. If you follow my @cardamomaddict Twitter account, you know things have been rough for this dear old cat these past few weeks. Unfortunately, one week after being diagnosed with both liver and pancreatic cancers, this lovely boy passed away.

Free Book - Head To Head (K/N/E)

May. 21st, 2013 06:12 pm
[syndicated profile] booksontheknob_feed
Head To Head, the first novel in the Claire Morgan series by Linda Ladd, is free in the Kindle store and from Barnes & Noble and Sony, courtesy of publisher Pinnacle Books/Kensington.
Book Description
With Every Turn In The Case. . .

After moving from Los Angeles to Lake of the Ozarks, Missouri, homicide detective Claire Morgan has at last adjusted to the peaceful rhythms of rural life. Until a grisly celebrity murder at an ultra-exclusive "wellness" resort shatters a quiet summer morning. . .

With Every Twist Of The Mind. . .

One of Dr. Nicholas Black's high-profile clients, a beautiful young soap opera star, has been found dead, taped to a chair at a fully set table. . .submerged in the lake. Back in L.A., Claire investigated the rich, famous, and the deadly--but she never expected the problems of the privileged to follow her to this sleepy small town. Just as she never imagined crossing the line with her prime suspect. . .

With Every Beat Of The Heart. . .

Immersed in the case, Claire finds herself drawn to the charismatic doctor, spending more and more time in his company--and in his bed. Now, to catch a killer, Claire will have to enter the darkest recesses of the human mind. But is Black leading her there to help her. . .or luring her ever deeper into a madman's grip?
Get the free ebook from Barnes & Noble.
Get the free ebook from Sony.
Free on Kindle; links on my Squidoo Lens: Today's Free Kindle Books.

VJ playlists

May. 21st, 2013 07:37 pm
such_heights: the sga team walking through a field of flowers (sga: team field)
[personal profile] such_heights
Okay, I'm going to try and post this, and then some notes from my panel, and then maybe a con report if I get time?! But ahhh I need to pack for Wiscon, two cons on two continents in two weeks seemed like such a good idea at the time.

Anyway! Playlists under the cut for the three shows I helped put together at this year's Vidukon: Sweet Dreams, Go Team!, and Festivids.

Sweet Dreams )

Go Team! )

Festivids )

Typo of the day

May. 22nd, 2013 04:27 am
vass: Jon Stewart reading a dictionary (books)
[personal profile] vass
From some Christian blog somewhere:

"He has covered me in the robe of righteousness.
as a bridegroom decks himself like a priest with a beautiful headdress,
and as a brie adorns herself with jewels."

That's some very fancy cheese.

(no subject)

May. 21st, 2013 07:24 pm
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
[personal profile] beccaelizabeth
upstairs neighbour is not listening to 'no matter what'
I know I should be glad
but someone is singing about a coat of many colors and has been for a really long time now and it's giving me weird flashbacks to music lessons and being 11
[syndicated profile] transgriot_feed

Posted by Monica Roberts

Transgender student told to wear female graduation gownThe pressure is mounting on Archbishop Michael Sheehan and Superintendent Murphy in this now viral story of Albuquerque, NM St. Pius High School senior Damian Garcia's simple request to walk in his graduation in a black cap and gown being denied. 

Received an e-mail from Torrey Moorman who spearheaded the MoveOn.org petition on Damian's behalf that has now garnered as of the moment I'm compiling this post 27,072 signatures toward their new goal of 30,000 signatures. 
Monica;

We have called Superintendent Murphy's phone and said: "We want you to know that we hold you and the entire Archdiocese in the Light. We are fully aware of how difficult this must be for Archbishop Sheehan who grew up being taught if you have a penis you are a boy, and if you have a vagina you are a girl."

"Unfortunately, just as the human genome project has proven unequivocally that there is no genetic variation between the races, science is proving gender and sexuality are not so simply defined. We fully appreciate that growth is uncomfortable and extremely difficult."

"William posted a photo stating: If you want to change, you have to be willing to be uncomfortable. All growth is uncomfortable, whether it is the growing pains of bones growing faster than muscle, or the pain of accepting a new definition of human sexuality. We respect your difficulties and hold you in love and Light as you go through this difficult time. We have faith that Archbishop Sheehan will make the right decision in Christ's love: To allow Damian to walk with his graduating class in black robes."

We encourage everyone to give Archbishop Sheehan and Superintendent Murphy this message. The message that decisions made out of love, instead of fear, pave the way to a loving and peaceful planet.

Sincerely,
The Moorman family, Cat Provost, and the Garcia family

All the school and the Archdiocese of Santa Fe had to do was simply let Damian walk.  To prevent such drama in the future they need to consider the possibility of having every future graduate of St. Pius High wear the same color cap and gowns.

But nope, since the Roman Catholic Church has been conducting a decade long holy war aimed at trans people and the transphobia injected into the Vatican by Paul McHugh has now filtered down the chain of command from Rome, they now have a PR mess on their hands. 

It also makes them look like bigoted and petty faith based trans oppressors to Albuquerque and the rest of the world and reinforces the disturbing decade long pattern of the Roman Catholic Church being hostile to trans people.

As I said in the comment I posted when I signed the petition: 

This is a no brainer situation.   Damian identifies as a male, has been presenting as one for over a year, and his classmates, faculty and family recognize him as one.

You only graduate from high school once, so why not let Damian walk in the black male gown?

You still have time to change that negative perception by letting Damian walk in a black cap and gown.

But the clock's ticking..

[syndicated profile] boingboing_feed

Posted by David Pescovitz

Handdddd NewImageDesigner/woodworker/typographer Scotty Albrecht has a new show of wood and paper works opening at Brooklyn's Colab Projects this Saturday, May 25. The show, titled "Wood & Pulp," is a two person exhibition that pairs Albrecht with Damion Silver. Both artists are inspired by handcrafting techniques and masterfully employ found objects in their work. I'm fortunate to have two of Albrecht's pieces in my home, including the wood heart/hands seen here, and they bring me great joy every day. Above, wood (left) and paper (right) pieces by Albrecht; at right, a wood mandala by Silver. Wood & Pulp runs until June 23. "Wood & Pulp: New Works By Damion Silver and Scotty Albrecht"
    


[syndicated profile] boingboing_feed

Posted by Cory Doctorow

On Slashdot, a reader called benrothke reviews a book called Locked Down: Information Security For Lawyers. This sounds like a vital book -- my experience of lawyers (and accountants, doctors and other professions that deal with sensitive information) is that they really don't get information security, routinely transmitting potentially compromising documents in the clear as email attachments. Not only don't they understand PGP -- they think it's good security to attach an encrypted ZIP archive to one email and follow it up with another email containing the password to decrypt it (facepalm). Anything that gets this sort of profession thinking well about security is most welcome.

The book quotes an ABA 2011 technology survey in which 21% of large law firms reported that their firm had experiences some sort of security breach, and 15% of all firms reported that they suffered a security breach. It is figures like those which show that attorneys really need to read this book and take the information to heart.

The books 17 chapters are in a readable 150 pages, with an additional 120 pages of appendices. Written in an easily understandable style and non-technical for the technologically challenge lawyer.

When it comes to the security of client data, in chapter 4 the authors write that encryption is a topic that most attorneys don't want to touch with a ten-foot pole. But it has reached a point where attorneys must understand how and when encryption should be used. Just as important, they need to know about key managements, and what good encryption is. The chapter provides a high-level detail on what needs to be done regarding encryption.

Chapter 13 is on secure disposal, is an important topic to everyone, and not just lawyers. Digital media needs to be effectively disposed of; and for many lawyers, they often think that means reformatting a hard drive or simply erasing files. The chapter effectively details the issues and offers numerous valuable hardware and software-based solutions.

Book Review: Locked Down: Information Security For Lawyers

Locked Down: Information Security For Lawyers [Amazon]

    


[syndicated profile] boingboing_feed

Posted by David Pescovitz

In the New Yorker, Sasha Frere-Jones on Daft Punk's "Random Access Memories":
NewImageDaft Punk’s fourth studio album, “Random Access Memories,” is an attempt to make the kind of disco record that they sampled so heavily for “Discovery.” As such, it serves as a tribute to those who came before them and as a direct rebuke to much of what they’ve spawned. Only intermittently electronic in nature, and depending largely on live musicians, it is extremely ambitious, and as variable in quality as any popular album you will hear this year. Noodly jazz fusion instrumentals? Absolutely. Soggy poetry and kid choirs? Yes, please. Clichés that a B-list teen-pop writer would discard? Bring it on. The duo has become so good at making records that I replay parts of “Random Access Memories” repeatedly while simultaneously thinking it is some of the worst music I’ve ever heard. Daft Punk engages the sound and the surface of music so lovingly that all seventy-five loony minutes of “Random Access Memories” feel fantastic, even when you are hearing music you might never seek out. This record raises a radical question: Does good music need to be good?
"Back to Earth: Daft Punk's puzzling new album." (New Yorker)

Daft Punk: Random Access Memories (Amazon)

    


[syndicated profile] booksontheknob_feed
How to Talk to Girls at Parties, a short story by Neil Gaiman, is free in the Kindle store and from Barnes & Noble, Sony and Kobo, courtesy of publisher HarperCollins.
Book Description
A short story from New York Times bestselling author, Neil Gaiman. Plus an excerpt from his new novel, The Ocean at the End of the Lane.
Get the free ebook from Barnes & Noble.
Get the free ebook from Kobo.
Get the free ebook from Sony.
Free on Kindle; links on my Squidoo Lens: Today's Free Kindle Books.

[syndicated profile] ikeahacker_feed

Posted by Jules Yap


Materials: Akurum Abstrakt kitchen cabinets and Ikea red pillows

Description: Akurum Abstrakt 36" wide x 24" deep x 15" high cabinets, which would normally be used above a refrigerator, were placed on the floor on a 1-1/2" high base covered with a matching Akurum base kick ripped down to size.


Holes were cut in fronts of 2 of the doors in the corner cabinet and trimmed out with the iron-on Ikea trim strips. The 2 kitty cats in the household each have their own cubby space with red Ikea pillows inside the corner cabinets.


Additional cabinets of the same size are installed around the remainder of the room perimeter and topped with custom cushions and red Ikea pillows to make window seats with storage inside the hinged door Akurum Abstrakt cabinets.

~ Lynn Bichler Architects, Mequon, Wi

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